Interview: Greg Laswell Lightens Up

May 23rd, 2010

We’d like to think of Greg Laswell’s albums as “delectable mood music” — the kind of records you throw on when you want to zone out the rest of the world, or want a soundtrack for your thoughts as you lie outside with a cup of coffee and the Sunday paper. The singer-songwriter has built up a reputation as a pure and honest storyteller, whose songs are as melodic as they are mournful. But when we caught up with Laswell a few weeks ago, he was uncharacteristically upbeat and jovial — a mood that he says is actually more representative of who he is now. The occasional sorrowful song will still be around, but as he prepares to launch a summer tour behind his new album, “Take a Bow,” Laswell says he’s ready to showcase a different side of himself. He talked to Corduroy about his new album, his tour bus essentials, and why his personality is not serious as people think.

First things first. Let’s chat about the new album. It’s not as — dare I say — sad as the last two albums.
The first two records stuck pretty close to pain as the subject matter. This one still deals with pain, but in a different way… It is more tongue-in-cheek at times. I feel like I’m writing about it from a much more objective viewpoint than before. There are also a few straight-up happy songs and one where I’m a bit pissed off.

Where did the title “Take a Bow” come from?
“Take a Bow” is for anyone who has come through a really hard time and is still standing. I couldn’t name it, “Well done” or “‘Atta Boy,” so I went with the title track “Take a Bow.” The line is huge. I’ve never written a fictional song for myself…or at least not one that I have released.

Most artists go out and immerse themselves in the world to seek inspiration for their songs, but you chose to hole yourself up in a cabin in Arizona. What was the reasoning behind that?
I decided to do it that way because I like the word “hole.” Also, I had done two records and an EP amidst the hum of everyday life and I really liked the idea of getting out of town for this next one. Strangely enough, it took me a LOT longer to finish this way…

Your songs are weighty but you display a big sense of humor in your videos and interviews. So who is the real Greg Laswell? Which side of the coin do you belong to?
Well, both you silly goose. My songs are snap shots. It just turns out that my favorite things to take musical snapshots of are sad. It would not be good if I was always in that place though. Plus I don’t trust people who are always happy or always sad. That proves to me that they are lying. I’m melancholy for sure, but I don’t take myself all that seriously. If my stage banter matched the mood of most of my songs, it would be a pretty depressing show for people to go to.

So let’s talk about your big summer tour. Your songs are deeply personal and deal with some serious subjects lyrically-speaking. It must be hard to get into that “mood” and deliver these songs on tour night after night…
I know, right? I am usually in a good mood at shows and then I have to sing songs like “High and Low” and now a new one called “Goodbye.” These songs have become about where I used to be and not where I am, but thinking about a stranger in the audience who maybe is there at the show because they relate to what I have been through and perhaps is still in the thick of it… well, that is enough for me to pull off an emotional performance.

What are your tour bus essentials?
I usually stock up on stand-up comedian albums. They help drives go faster than music I find. Packs of new socks is another. At truck stops I buy chips, a water, a soda and a six-pack of socks.

Your last album was a disc of covers. Is there a current song on that radio that you’d love to cover?
Um, no. I’m not a fan of covering current songs… I think a little time should pass by.

What if you could pick someone to cover one of YOUR songs? Who would it be?
I’d like to hear what Tori Amos would do with one of my songs.

Okay, enough serious stuff. I’ve been told you have a lot of topics you want to discuss with me. Here’s your chance to rant and rave.
I would like to rave about three very important things:
1. My friend Brian Wright is opening a few shows for me on tour. His album, “House on Fire” is my favorite record of this year. I don’t need to hear what else comes out this year. It will still be my pick. He’s also playing in my band.
2. Mexican food. I love it more than you love your newborn baby. (Editor’s note: This is an analogy. Tim does not have a baby… that he knows of)
3. My dog, Shep Proudfoot. He is cuter and better behaved than your son or daughter. (Editor’s note: See above)

Anything to rant about?
I would like to keep my ranting in Sing-Song Land.

Last question before you go: what’s the secret to writing a good song?
For me, throwing away more than I keep.

- TC

(photos by Lauren Dukoff)

Dior Homme Presents “The White Room”

May 11th, 2010

Kris Van Assche’s work for Dior Homme can be debated for days and called many things — simple, clean, classic, minimalist — but boring it is not. While some have derided Assche for not “transforming” the label like they had hoped, others have praised him for his subtle deconstructionist touches and elegant silhouettes that have made Dior Homme home to more than just the skinny suit. Nowhere is Van Assche’s aesthetic more prominent than in this new short film, commissioned to showcase his fall 2010 collection.

Styled by Robbie Spencer and directed by photographer Sharif Hamza, the film is stark but not bleak. Shot in a bleach-white hallway and set to the piano strains of Sisters of Mercy’s “Temple of Love,” the film focuses not on fancy effects nor a complicated plot, but rather on the beautiful shapes and images created by the clothing. It’s haunting and moody and sparse and undeniably Dior. And it’s proof that Van Assche has got the right look, the right feel and the right touch to lead the label for many collections to come. Check out the video for “The White Room” below:

- TC

Naked & Famous Denim’s “Kevlar” Jeans

April 25th, 2010

Spotted a pair of these super-rigid, heavy selvedge denim jeans by Montreal-based Naked & Famous the other day, and couldn’t wait to take them home with me. Unfortunately, the store was sold out of my size. These jeans could be the closet thing to going bulletproof, with a stiff, thick denim that contains 20% Kevlar, which is five times stronger than steel per weight. Talk about a strong pair of jeans!

Available in Naked & Famous’ popular “Slim Guy” fit, these limited-edition jeans feature a mid-rise, with a slim, straight leg. Only 350 pairs of the Kevlar jeans have been produced and — like I found out — they’re selling quickly. The jeans are available at Barneys in New York and select Holt Renfrew stores across Canada. Details online at www.nakedandfamousdenim.com. And read our online Q&A with Naked & Famous founder Brandon Svarc HERE.

- TC

Weekend Viewing – Justin Nozuka

April 23rd, 2010

We picked up the new album by Justin Nozuka the other week and it’s been on repeat in our car, iPod and home stereo ever since. Nozuka was the very first person we interviewed for Corduroy, back when he was still a fresh-faced high school senior with a buzz-cut, preparing to record his first album. Now, just a few years later, he’s practically an industry veteran, having spent a full year on the road touring in support of that album (“Holly”) and performing for countless television programs and showcases. His new album, “You I Wind Land & Sea,” continues the exploration of this acoustic singer-songwriter’s many talents. The songs are layered with deep chords, impassioned vocals and melancholic lyrics that belie a maturity far beyond his years. Some, like the first single, “My Heart is Yours,” grab you on first listen, with sing-along choruses and uplifting melodies. Others, like the title track, are soft and soulful, taking its time to sink in and grow. Either way, Nozuka once again demonstrates what an honest talent he is; a welcome antidote to the over-processed sounds on the airwaves today.

Check out the video for “My Heart is Yours” below and go to www.justinnozuka.com for info on the album and Nozuka’s upcoming tour.

- TC

“Facehunter” by Yvan Rodic

April 11th, 2010

The idea of seeing another street style blog today is about as exciting as seeing another girl show up to a casting in a pair of oversized Uggs; everybody’s doing it, and that makes it neither particularly inventive nor a necessarily good idea. But street style blogs can still serve as a source of surprising inspiration (and pure envy) when they’re done right. Yvan Rodic started Facehunter more than four years ago, before the popularity of street photography had self-aware, blog-baiting fashionistas on the lookout for a camera lens every time they turned a corner in the city. To this day, he has kept his blog and focus simple, preferring to showcase everyday people, as opposed to documenting the outrageous wares of celebrities and wannabes alike. Rodic has also always chosen to let each image tell its own story, instead of trying to force a particular trend or idea on his readers. The concept — and the decision of whether or not we like the outfit — is left entirely up to us.

Now, some of Rodic’s favorite photographs have been collected in a new book, titled simply, “Facehunter.” We got an advance copy of the book last month and love how the photographs still feel real and fresh, despite the proliferation of street style images today. The London-based Rodic has a simple philosophy to what he considers photo-worthy: character and charisma. The result is a diverse collection of people who may not always look like they’re poised for the camera, but always own their unique style nonetheless. Rodic says he likes “people who wear their clothes with confidence.” The new book gives us a glimpse into confidence displayed through street style from around the world, showcasing images that are radical, personal, unpredictable and effortlessly inspiring.

“Facehunter” by Yvan Rodic is available in hardcover, at 320 pages long. It is published by Prestel USA and is in stores now.

- TC

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