Designer Simon Spurr is understandably exhausted. He’s just finished his first runway show for New York Fashion Week — where he debuted his new high-end collection of impeccably stylish and well-tailored menswear to a raving audience that included Vogue Editor-in-Chief Anna Wintour — and he’s still catching up on interview requests, sample requests and — oh yeah — some much-needed sleep. But first, he took time out to chat with Corduroy about his new collection, which showcases a more luxurious, trim, modern (and British?) man.

What was the inspiration behind this season’s collection?
My intention was to establish SIMON SPURR as a modern luxury menswear brand. I definitely drew upon my British roots and focused on precision tailoring loosely inspired by the 60/70s Savile Row tailor, Tommy Nutter. I wanted to bring a British sensibility to American fashion week. I’m British, many of my reference points are British and that’s my look.

What types of guys do you picture wearing the looks?
The SIMON SPURR man is modern and has an inherent confidence. He is very much about style and appreciates quality. Actually the majority of the models in the show were British.

Why did you decide to put on a runway show this season instead of presentations like in years past?
Showing the SIMON SPURR collection on the runway set the tone for the brand. It seems more appropriate to show “Designer” menswear in the form of a runway show. It was also the first time I felt really confident that the clothes would work in this format. It was important to show the clothes moving, to allow the natural swagger of the models’ walk to express itself. Putting the clothes to music also allowed me to help tell a story. It was important when choosing the music that if the viewer were to close their eyes that they would still feel this young, British sensibility.

You seemed to show a more diverse array of looks this season, which covered most menswear bases, from slacks to jackets to suits to accessories. Was this an intentional move?
I wouldn’t say this was a conscious premeditated decision. SIMON SPURR is a full lifestyle brand and I wanted to illustrate this. There is definitely more depth to this season’s collection not only in the product assortment, with new development in hats and bags, but also with more attention paid to scale, pattern and finishing.

How hard is it to transition from fine denim to fine suiting?
I come from a strong tailoring background at Ralph Lauren Purple Label and Black Label. The tailoring, which I have made my own, has become an important part of the brand’s identity. I have often been quoted on my thoughts of menswear returning to a more elegant look. In the show I even mixed the two elements and showed a wool/silk tuxedo jacket over a fine denim shirt, jeans and boots. It’s how you wear the pieces that makes the difference. I have had no problem making the transition from denim to suiting.

Does the fact that you were known for denim help or hinder you?
I think that the transition has greatly helped the brand. When I started SPURR I had no intention of it being a “denim” brand. I always wanted it to be a full lifestyle brand that had great and authentic denim. With the separation of the brand into SIMON SPURR (Collection) and SPURR (contemporary), I have been able to maintain a sophisticated look on the runway, but also create a real denim business with SPURR.

Some reviewers described your collection as a return to “dandy” dressing for men. What does that word mean to you?
The word “Dandy” conjures a different image for me. When I think of a Dandy I have an image of an eccentric man that over dresses. SIMON SPURR is not a Dandy in this way. I offer a much cleaner, more modern approach to the Dandy.

So is the era of jeans and T-shirts over?
Whilst I personally still wear jeans and a t-shirt (under a tailored jacket), I do think that there is a move to a more groomed look for the modern man. I think men and women alike appreciated a well-dressed man; someone that has taken time, given thought and has pride in his appearance. Isn’t that what we all want?

I heard you had Guy Ritchie’s name plastered on your inspiration board backstage. Is that true? If so, what does Guy Ritchie have to do with Simon Spurr?
Yes, we had a page of key inspirational words backstage to help get the best walk out of the guys. The Guy Richie nod was to express the feeling of a man that has worked hard for his position in life; someone from one of Guy’s movies that comes from the middle class (or below) and has finally arrived at a point where he can enjoy the finer entrapments of menswear from a three-piece suit to hand-finished shirts and leather.

How nervous were you that Anna Wintour was in the audience?
Honestly I was not nervous at all. Since I met Anna during the Vogue Fashion fund experience, she has always made me feel welcome in the industry. Of course, I have the utmost respect for her and I know what her presence means if she attends your show. Ultimately, I was ecstatic and honored that she took the time to come… I hope that she liked the clothes.

Be honest… how happy are you now that the show is over?
It’s a happy/sad moment. There is definitely a relief that it’s over, I have my first runway show under my belt and the reviews have been complimentary. However, it all happened very quickly and it’s hard to savor six months work in 10.5 minutes! I love the runway format and admit that I’m already getting excited for the next one.

What’s the first thing you’re going to do now that fashion week is done?
Sleep. It’s my favorite thing to do. I’ll take a day off, just to re-charge after the adrenaline rush and get back into my routine. And then it will be business as usual and I will have to knuckle down and crack on with Spring/Summer 2011.

- TC