While the video he co-directed with Patrick Daughters introduced plaid-adorned scenesters to this artist’s creative mind, austere, tie-wearing curators and gallerists already had him under their radar. After moving from Winnipeg to New York to get closer to David Zwirner (one of the top contemporary art galleries today) in 2003, his pieces are now featured in the MoMA collection and have been shown at the Whitney Biennale and all over Europe.
So it is with some excitement that Montreal welcomes this solo exhibit. Dzama’a ghosts and soul-searching amputees are there, as well as his armies of Napoleon-like figures and mini skirt dancing terrorists. Presenting a multitude of his drawings, sculptures, dioramas, and collages, the show gives an overview of the artist’s signature style; works with a muted palette, melancholic figures and eerie scenery that very often hide uncanny topics charged with sexuality and violence. To all our readers in Montreal: this show is not to be missed.
Earlier this month, five multidisciplinary urban and architectural design firms chosen by the MoMA presented their visions for the future of New York City’s waterfront in the face of global warming –- in particular the rising sea levels and torrential storms.
Organized by the museum’s Chief Curator of Architecture and Design, Barry Bergdoll, the teams used P.S.1, MoMA’s innovative young affiliate, as an incubator to develop infrastructures that will adjust the metropolitan’s coastlines and urban structures to the consequences of climate change. With a specific area assigned to each team -– from the bottom tip of Manhattan to parts of Brooklyn, Staten Island and New Jersey — all came up with solutions to accommodate rather than ignore the process.
The Liberty State Park area, with 68% of its land submerged, was envisioned as a water park with nature viewing platforms and education centers, as well as a research hub for urban coastal adaptation and experimentation (photo above), while the downtown core would be suspended over Venice-like canals to absorb high-tide waters. But our personal favorite is the firm Skape’s plan to fill, or rather refill, Red Hook’s polluted Buttermilk Channel with oysters – and reestablish an industry, oyster farming, that was thriving in the area 300 years ago. Not only would these little marine habitants feed off the water’s toxins, but their eggs would float into nests settled at the entrance of the Upper Bay to harden as they grow into porous walls to protect the area from high tides. And no, they would not be edible any time soon.
These designs, results of an eight week in-residence collaborative workshop at P.S.1, will be exposed in the MoMA’s exhibit, “Rising Currents: Projects for New York’s Waterfont” opening on March 23rd. For more info check out the MoMa website.
Yesterday marked the official opening of the massive Tim Burton exhibit at The MoMA, and if early reviews are any indication, it’s not to be missed. Though Burton is known primarily as a Hollywood director, don’t expect to see Batman’s cape and cowl or Edward’s scissorhands encased in any glass here. Instead, this is a collection of older drawings and sketches of both semi and fully realized characters culled straight from the inner recesses of Burton’s madcap mind. Organized in chronological order, the images date back to his lonely childhood in Burbank, and extend well into his career as one of the most successful filmmakers of our generation. And if you can’t make it to New York right away fear not, the retrospective is open until April 26th, 2010. In the meantime, watch Burton talk to the MoMA about the ideas behind his work below.
Much beloved director Tim Burton is getting the retrospective treatment this fall as the subject of a new exhibition at the New York Museum of Modern Art. The 700-piece exhibition is simply titled “Tim Burton” and promises to showcase artwork generated during the conception and production of his films, along with a number of unrealized projects and never-before-seen pieces, including puppets, costumes and cartoons. There will also be a rare opportunity to see some of Burton’s earlier work as a student and struggling filmmaker, as well as examples of his work as a storyteller and graphic artist for non-film projects.
Burton may be best known for his twisted mind and macabre sense of humor, but he’s also always managed to bring out a certain beauty in darkness, as evidenced through films like Edward Scissorhands and The Nightmare Before Christmas. It’ll be interesting to see how this aesthetic and sense of humor translates to some of his other pieces of work, especially those outside of film. The Tim Burton exhibition opens in November at the MoMa. Click HERE for more information.
It’s my friend’s birthday this weekend, which means I get to indulge in her mom’s famous cupcakes and also break out one of my favorite party favors from the past couple of years: the five-minute candle. Created by South Korean designer Zinoo Park, the candles are packaged like tiny matchsticks and can either be lit attached to the matchbook or pulled out on its own. Aside from the clever packaging and design, each candle burns off cleanly in exactly five minutes — just enough time to make a good wish for another year (or occasion) worth celebrating.
The Five-Minute Candles are available in select gift and design shops and at the MoMa store online.
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