We’re celebrating the launch of our new issue with a concert and charity art auction. More guests and surprise performer to be announced at event. Hope you’ve RSVP-d! We’ll see you tonight!
For our fashion section this issue, we decided to do something a little different. Instead of publishing entire 6-8 page spreads from one or two artists, we asked 20 of our favorite photographers to each send us a single portrait of a women who they find inspiring. We wanted to understand the ideas of being “fashionable” and “inspiring” from each of their perspectives, and get a sense of who their “ideal woman” is.
20 photographers and 20 women captured in 20 pages of beautiful and stately portraits. Featured work includes:
Sarah Sophie Flicker + Yelena Yemchuck
Emma Willis + David Roemer
Juliette Lewis + Peter Ash Lee
Jenny Shimizu + Jake Chessum
Paz De La Heurta + Richard Kern
Theodora Richards + Marcelo Gomez
Irina Lazareanu + Alexandra Carr
Jamie Bochert + Samantha Rapp
Veronica Webb + Annelise Phillips
To see the complete story with all 20 photographers and muses, make sure to pick up Issue 7 of Corduroy.
(above portrait of Juliette Lewis taken by Peter Ash Lee)

After months of re-vamping and editing, our new issue of Corduroy is finally at the printers and ready to hit bookstores in just a few weeks. We’ve really taken our design and content to a new level and we can’t wait for all of you to see it. In the meantime, check out this beautiful photo of actress Catalina Sandino Moreno, taken by our creative director Peter Ash Lee. And read on for an excerpt from our story about Moreno — an Academy Award-nominee who’s still at the top of her game.
So what’s the view like from the top? Most actors aspire their whole career to play a part that receives a nod from the Academy, gradually making their way to the role that sets them apart and creates a whole new land of opportunity. Moreno made it on her first try. The statue that year went to Hilary Swank for her performance in Million Dollar Baby, but for Moreno, nominated for Maria Full of Grace, the recognition was an award in itself. But where does one go from there? When your breakthrough performance receives the highest accolade in the industry, what can you hope for next?
Fame certainly isn’t a motivation for the self-admittedly shy Moreno, who would much rather be appreciated for her dedication to her craft. “I really respect my work,” she says as she holds her hand over her heart. She’s emphatic about her love of acting. “When my heart and my mind are in something, that is what will drive me,” she says. She also notes that she’s still looking for that next great project; something, she stresses, which will make people think.
A few of her recent films serve as noble think pieces. For instance, Fast Food Nation is a compelling look at the fast food industry, while in Paris je t’aime, her vignette focuses on the touching story of a working mother. But in her experiences so far, she has not encountered enough strong scripts written for women. The scripts she reads nowadays seem to be written for the “girlfriend” or the “friend” of the leading man. She has yet to find anything as good as well, Maria.
- To read the full story, pick up Issue 7 of Corduroy, in stores soon.

An excerpt from our profile of actress Keri Russell, in Issue 7 of Corduroy…
Keri Russell has made a career of playing the sweet and approachable young woman that men want to marry and women like to befriend. But she swears it’s all been a facade.
“My good friends will tell you I’m not as nice as everyone thinks,” she says, laughing. “They’ll hear me say something about someone and tell me it’s an awful thing to say. They know better.”
It seems the girl may not be so next-door after all.
Snarky, funny and free with the use of the F-word, Russell has adopted a down-to-earth, yet sophisticated and charming way of being that can only be explained by having lived in Brooklyn, New York, for the past several years. Settling in for lunch at a small café, she unselfconsciously sets about eating a plate of food built around the kind of faux-bacon that is de rigueur in this hipster part of town (For the record, Russell says she is an equal opportunity omnivore; whether it’s meat or soy, she’s eating it).
One decade after earning a Golden Globe for her performance in the television series Felicity — a show so popular it set the mold for the never-ending spate of teen dramas that came in its wake, and inspired tomes dedicated to Russell’s haircut during the middle of the series — the actress has maintained a relatively low profile in New York. Though she’s no longer leading Hollywood headlines, she remains busy as ever, juggling the new roles of wife and mother in addition to her still burgeoning movie career. It’s a steady pace, and one that Russell says she’s glad to finally be walking…
- To read the full story, pick up Issue 7 of Corduroy, due out next month…
(photo by Peter Ash Lee)


An excerpt from our cover story featuring the legendary Isabella Rossellini, in Issue 7 of Corduroy:
These days, Rossellini lives on Long Island (which she refers to several times to as “the country”). When she’s not busy working, she takes long walks in the forest, goes fishing, trains dogs for the blind and even raises chickens. “You don’t need a farm to have a couple of chickens,” she says, with a straight face.
It’s odd to picture a supermodel roughing it in a barn, but then again, Rossellini has managed to shock our expectations of how models should be after they voluntarily (or involuntarily) retire from the modeling world.
“The image of a supermodel is that you’re beautiful,” she says. “You wear Dior, Chanel, and Armani and that’s it. You’re made up and that’s all. Anything beyond that surprises people.”
Rossellini says she’s always looking for new projects, and that she gets bored whenever she’s not working. Still, she feels nostalgic about her old career from time to time.
“I do miss modeling. I miss the life and going to beautiful photographic studios,” she says. “I miss the friendships. When you’re not always traveling with the same people and working with them, you just naturally lose touch.”
“But,” Rossellini says with guided wisdom seeping through her words, “life moves on.”
– To read the full story, pick up Issue 7 of Corduroy, due out next month.
(photographs by Peter Ash Lee)
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