Five Cool Things We Saw at arteBA

July 1st, 2010

If Buenos Aires is in the midst of a cultural arts renaissance–as many contend–then arteBA is at the forefront. Now in its nineteenth year, the annual contemporary art festival took over the city last week, attracting more than 100,000 revelers from all over Latin America and beyond. The massive coming together of artists from all parts of the continent was staged at two mammoth pavillions on Buenos Aires’ Rural show grounds (photo above), and was an illuminating representation of the electric art being produced by our friends south of the equator.

Walking into the pavillion on a Saturday afternoon, we were overwhelmed by the sheer amount of art popping off the walls at every turn. Instead of spending a week touring Buenos Aires’ wealth of galleries, we got to experience the best the city has to offer all in one shot. Here, we present five things from arteBA 10′ that deserve a second look:

Carlos Gorriarena. Este Vacío, Thomas Cohn Gallery, Sao Paulo, Brazil

The half-naked woman’s presence among intellectuals obliterates the line between high and low art, and the faceless men lend the piece a nightmarish quality. The only way this could be more self-reflexive is if the word PAINTING was splashed across the foreground.

Cecilia Avendaño. Serie Pride, Sala Cero Gallery, Santiago, Chile

A neck tatoo on a little girl is unsettling enough; make that little girl look like a quasi-alien and we’re entering a whole new level of creepy.

Gonzalo Sojo. Desayuno en los Alpes, Appetite Gallery, Buenos Aires, Argentina

This notoriously in-your-face collective is known for their more abrasive, raunchy pieces, though here the overt sexuality that was present throughout the rest of the Appetite room is toned down. But their melange of classic art and contemporary pop culture is as tongue-in-cheek as ever.

Carolina Antoniadis. Progresión, Del Infinito Gallery, Buenos Aires, Argentina

Some works of art beg for criticism, analysis, and debate. Others are just simple meditations on design, colour and composition, meant only to please the senses. We’d like to think this one is the latter.

Silvia Gruner. Lady Doctor, Garash Galeria, Mexico

Nudity was de riguer at arteBA, but where much of it seemed gratuitous and borderline pornographic, this piece from Mexico is restrained, classic, and modern all at once.

-Daniel Barna

Corduroy Does arteBA!

June 29th, 2010

Kahlo. Rivera. Botero. All names that inform our perception of Latin American art. But that was then and this is now, and these days, one doesn’t necessarily point their finger south of the equator when discussing the latest goings on in the fickle art world. Well, that’s all about to change. Last week, Corduroy was fortunate enough to attend arteBA ‘10 (pronounced art-eh-ba), Latin America’s largest contemporary art fair which ran from from June 25th to the 29th in beautiful Buenos Aires. But before we immersed ourselves in the madness that lay ahead, we had a chance to explore the city’s historic San Telmo district — a bohemian neighbourhood rich in classic architecture and culture; a neighbourhood that our friend Astrid from Think Argentina told us is “filled with a thousand little secrets.”

We spent our first night in the stunning Moreno hotel, a perfect embodiment of derelict San Telmo. The quintessential Art Deco building was designed by German/Hungarian architect Johannes Kronfuss in 1929 and has retained all of its old world charm, much like Buenos Aires itself. Yes, the rumours are true: this city is easy to fall in love with. It’s a sprawling cultural melting pot; a crossroads between Paris’ haute aesthetic and Latin American warmth. It ’s the ideal venue for a city-wide art fest that rivals Miami’s Art Basel in both size and scope.

But as we awaited the opening cocktail festivities and the string of lavish parties that would no doubt follow, we decided to flee the city for some last minute R&R. The majestic Iguazu falls are only a short plane ride from Argentina’s capital, and by all accounts a must-see. We were lucky enough to stay at the recently opened Posada Puerto Bemberg, a gorgeous colonial mansion-turned hotel that seamlessly combines art, natural history, literature, and of course wine. Named after its former owners the Bemberg family (patriachs of Argentinia’s national beer Quilmes), the remote estate is situated in the heart of the Atlantic rain forest, but doesn’t let its geography detract from its luxury. Strategically located on the expansive Parana river, The Posada features an epic library of over 2500 books, mostly on Latin American art, the perfect primer for the week ahead. After several hours of perusal, we stumbled on a series of arteBA anthologies from years past. With history as an indicator, we knew we were in for a special treat. Stay tuned for Corduroy’s complete recap and coverage of arteBA ‘10 from Buenos Aires!

-Daniel Barna

Current Issue - Issue VII

Issue VII

$12 USD

$25 USD

$12 USD | US & Canada $25 USD | International

Blog

Our Five Best Bets for Fashion’s Night Out

With New York City's Fashion's Night Out just around the corner, deciding on...
Read More...

Two Very Different Sneaker Collaborations

Ladies and gentlemen, allow us to present to you two very different and unique pairs...
Read More...

Latest Tweets