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Interview: Brandon Lee on Music and Fashion

May 16th, 2012

Brandon Lee is certainly multi-talented. He’s an avid photographer, the bassist for indie pop collective Miniature Tigers, and now, the New York-based Renaissance Man can add accessories designer to his ever-waxing list of accomplishments.

On the heels of wrapping up a very well-received tour opening for the band Fun, this modern-day “Jack of All Trades” had a chance to chat with Corduroy about his ever-evolving style, his love for music, and whether or not his future will include the pursuit of one or the other – or both.
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Marcia Patmos’ “Things That Never Go Out of Style”

May 7th, 2012

Womenswear designer Marcia Patmos is the latest contributor to take part in our online series about “Things That Never Go Out of Style.” We named our magazine Corduroy based on the idea that a corduroy jacket never goes out of style. And in the same way, we’ve asked some of our favourite artists, musicians, designers and all-around friends to tell us what’s on their list of classic, timeless items.

For Patmos, whose M.Patmos line was recently named one of the World’s 50 Most Innovative Companies in Fashion for 2012 (alongside names like Ralph Lauren, Levi’s, Uniqlo and Kenzo), fashion is even more beautiful when it’s sustainable. With that in mind, Patmos is dedicated to socially conscious and eco-friendly production methods, and is involved with artisan communities and craftsmanship around the world. The resulting pieces in the M.Patmos collection are beautiful, understated and elegant looks that fit effortlessly into any modern woman’s wardrobe, while also respecting the production process and environment around us. It’s something women everywhere will want to wear because – like Patmos herself – it’s trendy, forward-thinking, and beautiful inside and out!

Get to know Marcia Patmos and her collection at www.mpatmos.com. And check out her top ten list of “Things That Never Go Out of Style” after the jump…
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Interview: Andrew Hansford on “Dressing Marilyn Monroe”

April 18th, 2012

What would you do if a box of Marilyn Monroe’s iconic dresses was delivered to your front door? I would most likely try them all on, then find the nearest subway grate and re-enact her famous scene from The Seven Year Itch. Andrew Hansford, however, did not try on the dresses when this surreal scenario happened to him (as far as I know). When Hansford’s friend, Bill Sarris, surprisingly sent an entire box of famous Hollywood dresses to his door, Andrew decided to start “The Lost Dresses of Marilyn Monroe” exhibition in the UK. (Sadly, Sarris is suffering from Alzheimer’s disease, so part of the proceeds from the exhibition goes to the UK Society of Alzheimer’s).

The entire collection consists of almost 200 dresses and 4000 sketches all made by Oscar-winning designer William Travilla (Sarris’ business partner and friend). Since obtaining the legendary collection, Hansford’s life has forever changed, as documented in his new book “Dressing Marilyn: How a Hollywood Icon Was Styled by William Travilla.” Corduroy had a chance to chat with Hansford about the famous collection, the man behind it and the ultimate sex symbol herself, Marilyn Monroe.

How has your life changed since receiving the collection?
Quite considerably. Through time and research I became quite an expert on vintage fashion, Travilla and Marilyn. I also learnt a lot about Alzheimers and have been very active within the charity. In the end, the whole reason for me doing the collection is that I have met some incredible people who have been so helpful. I have travelled and written a book. If anyone had said that four years ago I would have laughed.

What is your favorite dress of Marilyn’s in the collection?
Her gold lamé dress. She wore it briefly in Gentlemen Prefer Blondes and also wore it to accept the award for America’s Fastest Rising Star (against Travilla’s wishes). She literally had to be sewn into the dress! No one else could walk in it, but Marilyn knew how to work it.

How much of a say did Marilyn have in designing the clothes?
None. A lot of celebrities did, but Marilyn trusted him implicitly. He would ask her what she thought and she would say, “It doesn’t matter.” Marilyn did, however, have one rule: she would not wear a full skirt. The one exception she made was with her dress in The Seven Year Itch, and she was okay with that because it ended up over her head!

How did Travilla like to dress his clients?
Just look at Marilyn, there’s not a single photo of her showing cleavage. Travilla knew how to dress her provocatively and sexy, and still show nothing! Pleating was his big thing. He also loved working with chiffon, velvet and silk; he never used unnatural fiber.

What do you love most about old Hollywood glamour?
I love the class and dignity they oozed, a timeless elegance that has somehow waned since then. They were immaculate in every way.

How about today’s Hollywood glamour? Does it still exist?
Very little, occasionally someone gets it right. But it’s all about the shock value and who’s wearing who, rather than the beauty of it. To be honest, a lot of the time a star gets it right, they are actually wearing vintage.

Do you admire any present day designers?
Tom Ford, D&G got it right this season, David Emanuel (who famously designed Princess Diana’s wedding dress)

What do you think William Travilla would think of what celebrities are wearing today?
I’m sure he would think they’re absolutely vile. Bill Sarris said everyone looks like crap at the Oscars. Back when he was dressing for the Oscars, stars would come to him and see what would work. Now the designers are throwing dresses at the celebrities, and they get to keep them all! Angelina Jolie apparently had 60 dresses to choose from at the Academy Awards! The dresses they’re wearing today are so not couture either – couture is handmade!

If Marilyn was alive today, how would you spend the day with her?
If I had the chance to spend the day with Marilyn it would be somewhere very relaxed so she could be herself, maybe around a pool having a lovely chilled glass of champagne or even tucked up on a couch with a carpet picnic and a lot of chat. It would definitely not be some glamorous event. Relaxed, casual and fun.

Why do you think Marilyn has remained so iconic in comparison to all of the other Hollywood Starlets of her time?
She was gifted with an amazing body and she knew how to work it. She went to Travilla because she knew he was the best and would make her look amazing. He put her in an amazing dress, and she took it the rest of the way. When she walked into a room, jaws would drop (both men and women). She knew how to play to the camera and she was lovely and generous to people, who immediately fell in love with her. Marilyn was one in a million.

Any anecdotes you can tell me that aren’t in the book?
Most of them are in the book, really. Although I will say that I tried my hardest to write the book without thinking that it was Marilyn Monroe I was writing about. As far as Bill and all the people I met that knew her were concerned, she wasn’t famous. She was so down to earth behind the cameras. Marilyn was the blonde bombshell and Norma Jean (her birth name) was the every other day girl. She really was two different people.

I have to ask, what were Marilyn’s measurements?
36, 22, 37. Today, Marilyn would be considered plus size and probably wouldn’t be able to find a lot of designer clothes to wear. My hope is that once you read the book you’ll realize what it’s like to dress properly, it doesn’t matter what size or shape you are. Travilla never dressed anyone under a size 8, he’d refuse! He’d say, “Why would I? It’s like dressing a little boy!”

“Dressing Marilyn: How a Hollywood Icon Was Styled by William Travilla” is now available at select bookstores and online.

- Hilary Allan

Corduroy at Mohegan Sun…

April 13th, 2012

When you live among the hustle and bustle of New York, it’s always nice when you get a chance to high-tail it out of the city for a couple of hours, or, if you’re lucky, for a weekend. So we were thrilled to get a chance to check out Mohegan Sun last month for a few days of dining, entertainment and some much-needed R&R. Located in Montville, Connecticut, the resort is home to the second largest casino in the United States and a number of shops and restaurants. But the highlight of our weekend was seeing Tiësto thrill a packed house at Mohegan Sun Arena (recently ranked as the 5th best venue in the world by Billboard Magazine). After losing (a little bit of) money at the blackjack table (note to self: never hit on 16), it felt good to let loose for a bit and party with thousands of others while listening to the man who was recently named, “The Greatest DJ of All Time.”
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He Said: Five Things We Liked at Toronto Fashion Week Fall/Winter 2012

March 27th, 2012

For this season of Toronto Fashion Week, we sent our two interns, Hilary and James, to the tents to take in all the shows, the new fall trends and the local fashion scene. Then we asked them to compile a list of five things they liked from the experience. You read Hilary’s take yesterday, now here’s what caught James’ eye on the runway and behind-the-scenes this season…

1. Identity Crisis

This season marked the first instance in recent memory that Toronto fashion week was not sponsored by electronics conglomerate LG. One of the most notable debuts at the Fall/Winter 2012 showings was that of new principle sponsor: World MasterCard. The Toronto fashion week website was totally revamped to reflect the change, most notably, the vowels were removed from the words “fashion” and “week” because fshn wk is so much cooler, right?

Another new feature indicative of the change was the rather aggressive marketing campaign; we couldn’t walk more than five minutes along the streets of downtown Toronto without running into huge ads featuring some of Toronto’s most notable and stylish residents, mostly bloggers.

However, despite the media blitz, World MasterCard Fshn Wk curiously resembled its predecessor. When push came to shove, we saw the same familiar faces dotted along the front rows, the same stark white presentation space beneath the tents, and the same designers that have been showing for years reappearing without fail. And maybe that’s the thing: despite the (still) relative insignificance of Toronto Fashion Week on the International scene, we like that it has become this sort of warm and familiar institution that welcomes us back year after year.

2. Lady-like Chic at Lovas
This season, Wesley Badanjak did double-duty, designing his inaugural collection for Basch in addition to producing an offering for the designer’s 4-year old Lovas endeavour. However, Badanjak didn’t seem particularly phased by the prospect of multi-tasking when we interviewed him backstage following the show. “I used to work for David Dixon for years so I was doing Lovas and David Dixon at the same time,” he told us, in between sips of water.

Badanjak’s juggling act certainly reflected positively on the clothes. Our favorites were a series of outfits which immediately had us fantasizing about a modern Jackie O. Tailored all-white evening coats and sparkly cocktail dresses were cut at the “new length” – slightly below the knee. Badanjak evidently seems to work well under pressure; we wonder if he’ll raise the stakes and present three collections next season? Here’s hoping…

3. The Feathers Fly at Lucian Matis
For his Fall/Winter 2012 showing, Lucian Matis decided to show off-site at the Fairmont Royal York Hotel. Immediately upon entering the stunning venue, with its chandeliers, mirrored walls, and parquet floors, we knew we were in for something special.

This season, the designer was inspired by the symmetry naturally occurring in nature, and the inspiration took a very literal form as models paraded down the runway in head-to-toe feathers. Despite the literal interpretation, we thoroughly enjoyed the textile’s presence, making appearances on everything from the bottom-half of an evening gown to an entire coat. While not for everyone, Matis certainly broadened the appeal by sourcing a feather that had a distinct iridescent quality, almost like they were plucked from a radioactive raven. The end result was something textural and luxurious, without sacrificing the basics of sound tailoring and an understanding of strong design.

4. Leather, Leather, Leather!
Among the more avant-garde showings, leather was a mainstay. Our favorite rendering of the hide came courtesy of Martin Lim designers Danielle Martin and Pao Lim. The duo opened the show with a black and white-paneled leather dress which, from my vantage point, was arguably the best single look shown in Toronto last week. We really liked the stark, graphic appeal of Martin and Lim’s use of two tones of leather, while the boxy shift-dress silhouette was totally in line with all the other 20s inspired collections we’ve been seeing on the international runways.

Another honorable mention belongs to LABEL designers Shawna Robinson and Natalie Sydoruk. First meeting as co-workers in a retail store, Robinson and Sydoruk’s retail roots were evident throughout the duo’s Fall/Winter collection. Opting to present a fashion film this season, we saw leather accenting almost every garment in the form of a shoulder-pad, a pocket overlay, a collar, or on the bottom-half of the must-have “Regression top.” Not only incredibly covetable, the pieces are ridiculously affordable and sure to be must-haves for many women we know this upcoming season.

LABEL | Fall/Winter 2012 | A Dangerous Mind from Sean L T Cartwright on Vimeo.

5. Dressing up the Neck
Maybe it was the obnoxiously-large fur hat obstructing our view, but the collar embellishments at Caitlin Power really stood out to us. A relatively new designer to the scene, Power’s futuristic yet wearable collection was one of the most well-received of the week. The Calgary-native certainly made her mark with separates, though it was her edgy take on collar-embellishments that caught everybody’s fancy. Virtually every model was outfitted with the silver accessory, which resembled an inverted triangle. While Power’s aesthetic is the furthest thing from casual dressing, we really liked how the finishing touch to the collar manage to elevate each look even further. It was a small detail that made a big impression.

- James Lavapie

(photos courtesy Jenna Marie Wakani for Corduroy / Magnet Creative / Brill Communications)

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Interview: Brandon Lee on Music and Fashion

Brandon Lee is certainly multi-talented. He's an avid photographer, the bassist for indie pop...
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