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Corduroy Issue 8: Nathan Fillion

March 23rd, 2011

He may be in the news with talks of a fan campaign to re-launch the sci-fi hit Firefly, but in our latest issue of Corduroy, actor Nathan Fillion says he’s also pushing for another one of his popular projects to make a comeback.

Best known for his role as Captain Malcolm Reynolds in the critically-acclaimed Firefly (and its subsequent spin-off film Serenity), it’s his role as a slightly different skipper – Captain Hammer – in the viral musical sensation, Dr. Horrible’s Sing-Along Blog, that has made Fillion one of the most charming leading men in the business.

Born in Edmonton, Alberta but now residing in L.A., Fillion’s career may be better defined by cult favorites than box office hits, but the kid who grew up on superheroes and comic books says that’s just fine with him. “I think applause takes many forms,” he says, with his trademark snark. “For example, instead of clapping, now there’s Twitter.”
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Issue 8: Douglas Smith’s “Big” Career Moves…

March 15th, 2011

The series finale of Big Love airs this Sunday on HBO, and while we’ve been hot and cold with the Henrickson clan over the past five years, there’s no denying the high calibre of talent involved with the show. And while it’s Chloë Sevigny or Ginnifer Goodwin who seem to get the most attention from among the cast, we’ve been transfixed by the genuine (and often gripping) performance of young actor Douglas Smith.

We don’t think we’re alone in our opinion. If you’ve been watching, you’ll know just how charming and talented Smith can be. But when we interviewed the Canadian-born actor for Issue 8 of Corduroy, we also discovered another talent of his, that has less to do with his own acting career and everything to do with the Hollywood prospects of his now-famous co-stars…

Check out our story on Douglas Smith, after the jump…
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New York Fashion Week Fall/Winter 2011: Model Moments

February 21st, 2011

Another New York Fashion Week has come and gone and amongst all the shows, runways, designers and — of course — beautiful clothes, we found our fair share of favourite standout moments. From Thom Browne’s theatrical showing at the New York Public Library, to more understated (but still sleek and sexy) looks from Preen, there were more than a handful of highlights on our radar this season (watch for our full list later this week).

At the epicenter of all the hubbub last week though, were the models. Everyone loves to hate on the young, beautiful and skinny wonders that show off next season’s must-haves, but we love seeing them walk and pose just the same.

From model-watching backstage at Ohne Titel and Chris Benz to joining the throngs of people camped out in line outside Pier 94, our writer and photographer Stefania Yarhi was there to document those other VIPs of Fashion Week. Just try to keep up with their gazelle-like gait and when you capture one (photographically) you know that which is the rush of the hunt. Check out some of Stefania’s photos after the jump…
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Corduroy Issue 8 – Stella Schnabel

February 20th, 2011

Stella Schnabel knows she’s a lucky girl. As the daughter of painter-turned-filmmaker Julian Schnabel — whose polarizing work took the fickle New York art world by storm in the eighties — she’s afforded privileges that most people, well, aren’t. Like, some would say, being an actress.

Yes, that’s right: Stella Schnabel is an actress, and her father an acclaimed director. And yes, she’s appeared in three of his films; first Basquiat, then Before Night Falls and finally, the Middle Eastern drama, Miral. Although her roles were all minor, theirs is an artist-muse relationship that leaves some people feeling uneasy. “I often get, ‘Oh right, Julian Schnabel’s daughter wants to be an actress,’” she says. “People want you to fail.”

Thankfully, Schnabel doesn’t really care what other people want, especially if they’re standing in her way. She’s blunt, exotic-looking, and delicate all at once. Her manic energy and raw sexuality are surprisingly uncommon among Hollywood’s stable of young ingénues.
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Anna Faris in Corduroy Issue 8

February 7th, 2011

Of all the pieces of advice that Anna Faris received while studying drama in college, none resonated more than the time an older actor approached her after yet another failed audition. “Well,” the sympathetic actor began, “if you can do anything else, do it.”

“It was startling for me,” Faris recalls some years later, sprawled out on a posh white couch in an equally posh Hollywood hotel. “I thought, ‘I can do something else! This doesn’t have to be the only thing that makes me happy.’ I quit acting and majored in English. I thought I would go into marketing and advertising.”

Fortunately for her – and for “14-year-old boys everywhere” – Faris’ plan to conquer the business world didn’t quite stick. Though she was frustrated by her lack of success in the acting industry, she chalked it up to geography and bad luck. In her senior year, she decided to make the move from Seattle to L.A., and give her acting dreams one last shot.

“I thought I’d give it a year, work in a restaurant, see what happens,” Faris says. “And I was fortunate enough to get a film right away.”

That film was Scary Movie, a satirical comedy that spoofed the slasher film renaissance of the late nineties. The unexpected hit spawned three sequels – all starring Faris – and established the pretty and petite blonde from Seattle as Hollywood’s newest queen of slapstick. Critics and observers were surprised by her seemingly overnight success, though no one was more astonished than Faris herself, a self-professed “serious kid” who was a late bloomer and grew up hiding in the shadows of her more outgoing family. In her mind, she was anything but funny.

“I was the awkward kid who was short and had braces and looked like I was perpetually 8 years old,” Faris says. “I hated when people laughed at me.”

Slight and self-conscious then, the actress has grown to embrace her comedic roots, though she’s still not convinced she’s as hilarious as people insist. “I consider myself silly and ridiculous sometimes, but not funny,” she says.

As if to prove her point: “A journalist once asked me to tell them a joke,” she sighs, “and I couldn’t think of what to say.”

To read the rest of this article, pick up Issue 8 of Corduroy

(text: tim chan / image: peter ash lee)

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