Philippe Starck’s Faena Hotel + Universe

July 6th, 2010

When we learned that we would be staying at The Faena Hotel + Universe during our week-long stint in Buenos Aires, our skepticism was palpable. We thought not even the Philippe Starck pedigree (he designed it) could rescue the hotel from its pretentious moniker. Well, we thought wrong.

Upon walking through the floor-to-ceiling red glass-stained doors of the century-old former grain warehouse (located in Buenos Aires’ thriving Puerto Madero neighborhood), we were immediately taken aback by how truly unique the space was. Instead of a central lobby, the Faena’s backbone is a towering, cathedral-like hall that disects the building in two, acting as a focal and undeniably visual meeting point for the hotel’s staff and jet-set guests.

We’ve been a fan of Philippe Starck for some time (and even featured him in issue six), so it was an honor to stay in one of his legendary boutique hotels. The design maestro’s flourishes were everywhere. From the life-size unicorn heads mounted on the walls of the ultra lavish white-on-white bistro, to the antique-filled El Mercado restaurant, walking through the Faena felt more like strolling through a carefully curated museum rather than a hotel, which is exactly how owner Alan Faena intended it.

The eccentric mogul considers himself an artist, rather than a developer, and his intention with his space was to create an immersive world where different cultures, ideas, and eras intersect. The hotel’s library lounge and restaurant are elegant homages to the Belle Epoque, replete with decadent leather sofas, red silk curtains, and beautiful exposed brick at every turn. The infinite pool is the perfect meeting spot for Argentina’s creative class, and the Turkish bath, gym, and spa are all world class. It’s no wonder Starck and Faena’s collaboration has won over a dozen awards, and is responsible for the rejuvination of an entire neighborhood.

- Daniel Barna

Five Cool Things We Saw at arteBA

July 1st, 2010

If Buenos Aires is in the midst of a cultural arts renaissance–as many contend–then arteBA is at the forefront. Now in its nineteenth year, the annual contemporary art festival took over the city last week, attracting more than 100,000 revelers from all over Latin America and beyond. The massive coming together of artists from all parts of the continent was staged at two mammoth pavillions on Buenos Aires’ Rural show grounds (photo above), and was an illuminating representation of the electric art being produced by our friends south of the equator.

Walking into the pavillion on a Saturday afternoon, we were overwhelmed by the sheer amount of art popping off the walls at every turn. Instead of spending a week touring Buenos Aires’ wealth of galleries, we got to experience the best the city has to offer all in one shot. Here, we present five things from arteBA 10′ that deserve a second look:

Carlos Gorriarena. Este Vacío, Thomas Cohn Gallery, Sao Paulo, Brazil

The half-naked woman’s presence among intellectuals obliterates the line between high and low art, and the faceless men lend the piece a nightmarish quality. The only way this could be more self-reflexive is if the word PAINTING was splashed across the foreground.

Cecilia Avendaño. Serie Pride, Sala Cero Gallery, Santiago, Chile

A neck tatoo on a little girl is unsettling enough; make that little girl look like a quasi-alien and we’re entering a whole new level of creepy.

Gonzalo Sojo. Desayuno en los Alpes, Appetite Gallery, Buenos Aires, Argentina

This notoriously in-your-face collective is known for their more abrasive, raunchy pieces, though here the overt sexuality that was present throughout the rest of the Appetite room is toned down. But their melange of classic art and contemporary pop culture is as tongue-in-cheek as ever.

Carolina Antoniadis. Progresión, Del Infinito Gallery, Buenos Aires, Argentina

Some works of art beg for criticism, analysis, and debate. Others are just simple meditations on design, colour and composition, meant only to please the senses. We’d like to think this one is the latter.

Silvia Gruner. Lady Doctor, Garash Galeria, Mexico

Nudity was de riguer at arteBA, but where much of it seemed gratuitous and borderline pornographic, this piece from Mexico is restrained, classic, and modern all at once.

-Daniel Barna

Corduroy Does arteBA!

June 29th, 2010

Kahlo. Rivera. Botero. All names that inform our perception of Latin American art. But that was then and this is now, and these days, one doesn’t necessarily point their finger south of the equator when discussing the latest goings on in the fickle art world. Well, that’s all about to change. Last week, Corduroy was fortunate enough to attend arteBA ‘10 (pronounced art-eh-ba), Latin America’s largest contemporary art fair which ran from from June 25th to the 29th in beautiful Buenos Aires. But before we immersed ourselves in the madness that lay ahead, we had a chance to explore the city’s historic San Telmo district — a bohemian neighbourhood rich in classic architecture and culture; a neighbourhood that our friend Astrid from Think Argentina told us is “filled with a thousand little secrets.”

We spent our first night in the stunning Moreno hotel, a perfect embodiment of derelict San Telmo. The quintessential Art Deco building was designed by German/Hungarian architect Johannes Kronfuss in 1929 and has retained all of its old world charm, much like Buenos Aires itself. Yes, the rumours are true: this city is easy to fall in love with. It’s a sprawling cultural melting pot; a crossroads between Paris’ haute aesthetic and Latin American warmth. It ’s the ideal venue for a city-wide art fest that rivals Miami’s Art Basel in both size and scope.

But as we awaited the opening cocktail festivities and the string of lavish parties that would no doubt follow, we decided to flee the city for some last minute R&R. The majestic Iguazu falls are only a short plane ride from Argentina’s capital, and by all accounts a must-see. We were lucky enough to stay at the recently opened Posada Puerto Bemberg, a gorgeous colonial mansion-turned hotel that seamlessly combines art, natural history, literature, and of course wine. Named after its former owners the Bemberg family (patriachs of Argentinia’s national beer Quilmes), the remote estate is situated in the heart of the Atlantic rain forest, but doesn’t let its geography detract from its luxury. Strategically located on the expansive Parana river, The Posada features an epic library of over 2500 books, mostly on Latin American art, the perfect primer for the week ahead. After several hours of perusal, we stumbled on a series of arteBA anthologies from years past. With history as an indicator, we knew we were in for a special treat. Stay tuned for Corduroy’s complete recap and coverage of arteBA ‘10 from Buenos Aires!

-Daniel Barna

Summer Stylist Day at the Hester Street Fair

June 25th, 2010

Ever want to raid the closets of celebrity stylists and fashion editors? (You just know they have some good schwag in there too…) Well a group of industry peeps (read: stylists, editors, designers and showrooms) will be selling items from their wardrobe closets and stockrooms this weekend as part of the Hester Street Fair’s “Summer Stylist Event.” Expect merchandise from A.P.C., Prada, United Bamboo, Proenza Schouler and others, as well as one-of-a-kind and vintage pieces available at discounted prices. The event runs all weekend along Hester street between Chinatown and the Lower East Side in New York. Details on the flyer below:

Corduroy Launch Party Thanks

June 14th, 2010

We didn’t mean to cause problems. Honest. But when we heard rumors that the line to our Issue 7 Launch Party had wrapped around West 15th Street (and this was at 9:20 — only 20 minutes after the doors had opened), we knew we were in for quite a night. Fortunately for everyone involved, the party inside lived up to the hype. With drinks flowing and BP Fallon, Sean Lennon, Adam Green, Charlotte Kemp Muhl, Lenny Kaye and (our gracious host) Irina Lazareanu performing, it felt like an old school New York party — the kind of gig where people rocked out unpretentiously, and intimately, among a gathering of their closest — and coolest – friends. Hopefully, they also got a chance to view some of the gorgeous prints up for auction (with proceeds benefiting micro-lending non-profit Kiva) and grab a copy of the magazine or two to peruse in calmer and — dare we say — less debauched settings.

A HUGE thank you to Milk Studios and We Work for sponsoring the event. Their replica “office space” at the event (above) proved to be a hit with savvy partygoers looking for a quiet spot to relax, or curious artist-types wanting to check out the stylish boutique digs. When you find such great partners to work with, it’s hard not to believe in the power and spirit of the artistic community. The whole idea was to build a collaborative event that would link the art, music and fashion circles with a deserving charity. And thanks to the generosity of our sponsors and all the artists and musicians involved, we’d like to think, on some level, that we accomplished our goal.

And as far as Peter goes, it’s still hard for us to fathom how he was able to make it 3000 miles across the Atlantic to New York, but couldn’t make the 20 miles from JFK to Milk. Irina and her friend (Corduroy’s fashion director) Liz McClean, as well as BP Fallon, spent the entire day at the airport waiting for him, and talking to customs officials, but sometimes things just aren’t meant to be. We take it as a huge compliment though, that he was willing to fly all the way here to support the magazine and make a charity appearance for Kiva. In the end, Pete was sent back to London, but not before asking, we imagine, what the heck he had gotten himself into? We feel like he probably wasn’t the only one thinking that on Thursday night. And well, all we can do now is shrug a little, smile a little, and say, “if you thought the party was good, just wait until you read the magazine!”

Check out some photos from the event after the jump:

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