The (capsule) Travel Mart

July 19th, 2010

New York’s (capsule) fashion trade show kicks off today and to mark the occasion, organizers are launching their first-ever “travel mart,” featuring an exclusive (capsule) collection of travel must-haves designed exclusively for the event.

Five specialty items have been designed by participating show designers, including former J.Press creative director Mark McNairy, UK-based Ally Capellino, Corduroy-fave Jack Spade, and local labels and merchants SHARPS Barber & Shop and Bowery Lane Bicycles. Each item comes tagged with a collectible (capsule) stick pin, and will only be sold at the (capsule) show in New York this week, and online at www.capsuleshow.com and www.oaknyc.com for a limited time.

Our favorite is the Ally Capellino Denim Carry-on Bag (above). This special-edition Alphonse rucksack from the British bag designer comes in a dark-washed denim and is topped off with a leather buckle and a special Ally Capellino x (capsule) branded handle. With plenty of roomy pockets and versatile styling (we’d take it to work or to the cottage), it’s proof that the rucksack is making a comeback.

Also on our list of things to pick up: SHARPS’ handy travel set of no-fuss grooming products, which include shaving essentials, Daily Prep Moisturizing Lotion, shampoo and a full-size “Happy Me All Over Soap Bar” all packaged together in a portable gift (or travel) box (photo at left). It’s a sharp take (no pun intended) on the basic travel and grooming kit.

The (capsule) show takes place today and tomorrow at Center 548 in New York and the (capsule) Travel Mart is now open for business at www.capsuleshow.com and beginning next week atwww.oaknyc.com.

“Evenings in Performance” at The Textile Museum

July 11th, 2010

If you’re in Washington, DC this month, you’ll want to check out two incredible evenings of fashion and art at the Textile Museum. The event, sponsored by New York-based arts collective INTERWOVEN, features designers threeASFOUR and Henrik Vibskov, as well as artist Peggy Noland, among others, as they unveil unique textile-focused performance art, fashion presentations and film screenings.

On the evening of July 23rd, New York-based fashion collective threeASFOUR, whose designers hail from Lebanon, Israel, and Tajikistan, will collaborate on a performance highlighting their ethereal and sculptural approach to textile design, while provoking a discussion of an individual’s role within society. Their medium and format: live models and actors onstage (see photo at left), performing a ritualistic altering and reshaping of fabric.

The July 24th program, meantime, will feature the first American appearance by Copenhagen-based design duo Henrik Vibskov and Andreas Emenius. Vibskov (who we profiled in Issue 6) and Emenium are unveiling their site-specific installation called “The Circular Series,” which uses the contrasts of a large, rigid geometric structure to speak to the ideas of human rituals and social constructs.

In addition to the installations, the event will feature a screening of Vibskov and Emenius’ Project 8 (see top photo) and Project 9 (set to an original soundtrack scored by one of our favorite Swedish recording artists, Fever Ray) and threeASFOUR’s video collaboration with Yoko Ono.

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Philippe Starck’s Faena Hotel + Universe

July 6th, 2010

When we learned that we would be staying at The Faena Hotel + Universe during our week-long stint in Buenos Aires, our skepticism was palpable. We thought not even the Philippe Starck pedigree (he designed it) could rescue the hotel from its pretentious moniker. Well, we thought wrong.

Upon walking through the floor-to-ceiling red glass-stained doors of the century-old former grain warehouse (located in Buenos Aires’ thriving Puerto Madero neighborhood), we were immediately taken aback by how truly unique the space was. Instead of a central lobby, the Faena’s backbone is a towering, cathedral-like hall that disects the building in two, acting as a focal and undeniably visual meeting point for the hotel’s staff and jet-set guests.

We’ve been a fan of Philippe Starck for some time (and even featured him in issue six), so it was an honor to stay in one of his legendary boutique hotels. The design maestro’s flourishes were everywhere. From the life-size unicorn heads mounted on the walls of the ultra lavish white-on-white bistro, to the antique-filled El Mercado restaurant, walking through the Faena felt more like strolling through a carefully curated museum rather than a hotel, which is exactly how owner Alan Faena intended it.

The eccentric mogul considers himself an artist, rather than a developer, and his intention with his space was to create an immersive world where different cultures, ideas, and eras intersect. The hotel’s library lounge and restaurant are elegant homages to the Belle Epoque, replete with decadent leather sofas, red silk curtains, and beautiful exposed brick at every turn. The infinite pool is the perfect meeting spot for Argentina’s creative class, and the Turkish bath, gym, and spa are all world class. It’s no wonder Starck and Faena’s collaboration has won over a dozen awards, and is responsible for the rejuvination of an entire neighborhood.

- Daniel Barna

Five Cool Things We Saw at arteBA

July 1st, 2010

If Buenos Aires is in the midst of a cultural arts renaissance–as many contend–then arteBA is at the forefront. Now in its nineteenth year, the annual contemporary art festival took over the city last week, attracting more than 100,000 revelers from all over Latin America and beyond. The massive coming together of artists from all parts of the continent was staged at two mammoth pavillions on Buenos Aires’ Rural show grounds (photo above), and was an illuminating representation of the electric art being produced by our friends south of the equator.

Walking into the pavillion on a Saturday afternoon, we were overwhelmed by the sheer amount of art popping off the walls at every turn. Instead of spending a week touring Buenos Aires’ wealth of galleries, we got to experience the best the city has to offer all in one shot. Here, we present five things from arteBA 10′ that deserve a second look:

Carlos Gorriarena. Este Vacío, Thomas Cohn Gallery, Sao Paulo, Brazil

The half-naked woman’s presence among intellectuals obliterates the line between high and low art, and the faceless men lend the piece a nightmarish quality. The only way this could be more self-reflexive is if the word PAINTING was splashed across the foreground.

Cecilia Avendaño. Serie Pride, Sala Cero Gallery, Santiago, Chile

A neck tatoo on a little girl is unsettling enough; make that little girl look like a quasi-alien and we’re entering a whole new level of creepy.

Gonzalo Sojo. Desayuno en los Alpes, Appetite Gallery, Buenos Aires, Argentina

This notoriously in-your-face collective is known for their more abrasive, raunchy pieces, though here the overt sexuality that was present throughout the rest of the Appetite room is toned down. But their melange of classic art and contemporary pop culture is as tongue-in-cheek as ever.

Carolina Antoniadis. Progresión, Del Infinito Gallery, Buenos Aires, Argentina

Some works of art beg for criticism, analysis, and debate. Others are just simple meditations on design, colour and composition, meant only to please the senses. We’d like to think this one is the latter.

Silvia Gruner. Lady Doctor, Garash Galeria, Mexico

Nudity was de riguer at arteBA, but where much of it seemed gratuitous and borderline pornographic, this piece from Mexico is restrained, classic, and modern all at once.

-Daniel Barna

Corduroy Does arteBA!

June 29th, 2010

Kahlo. Rivera. Botero. All names that inform our perception of Latin American art. But that was then and this is now, and these days, one doesn’t necessarily point their finger south of the equator when discussing the latest goings on in the fickle art world. Well, that’s all about to change. Last week, Corduroy was fortunate enough to attend arteBA ‘10 (pronounced art-eh-ba), Latin America’s largest contemporary art fair which ran from from June 25th to the 29th in beautiful Buenos Aires. But before we immersed ourselves in the madness that lay ahead, we had a chance to explore the city’s historic San Telmo district — a bohemian neighbourhood rich in classic architecture and culture; a neighbourhood that our friend Astrid from Think Argentina told us is “filled with a thousand little secrets.”

We spent our first night in the stunning Moreno hotel, a perfect embodiment of derelict San Telmo. The quintessential Art Deco building was designed by German/Hungarian architect Johannes Kronfuss in 1929 and has retained all of its old world charm, much like Buenos Aires itself. Yes, the rumours are true: this city is easy to fall in love with. It’s a sprawling cultural melting pot; a crossroads between Paris’ haute aesthetic and Latin American warmth. It ’s the ideal venue for a city-wide art fest that rivals Miami’s Art Basel in both size and scope.

But as we awaited the opening cocktail festivities and the string of lavish parties that would no doubt follow, we decided to flee the city for some last minute R&R. The majestic Iguazu falls are only a short plane ride from Argentina’s capital, and by all accounts a must-see. We were lucky enough to stay at the recently opened Posada Puerto Bemberg, a gorgeous colonial mansion-turned hotel that seamlessly combines art, natural history, literature, and of course wine. Named after its former owners the Bemberg family (patriachs of Argentinia’s national beer Quilmes), the remote estate is situated in the heart of the Atlantic rain forest, but doesn’t let its geography detract from its luxury. Strategically located on the expansive Parana river, The Posada features an epic library of over 2500 books, mostly on Latin American art, the perfect primer for the week ahead. After several hours of perusal, we stumbled on a series of arteBA anthologies from years past. With history as an indicator, we knew we were in for a special treat. Stay tuned for Corduroy’s complete recap and coverage of arteBA ‘10 from Buenos Aires!

-Daniel Barna

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